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Naum
Panovski was one of the half-dozen most important and
interesting directors in former Yugoslavia. His work
is unique, powerful, magical and poetic, and is right
at the leading edge of European and American performance
theory. He is not like Tadeusz Kantor or Robert Wilson
or Jerzy Grotowski or Peter Brook, but one gets from
his work the same shock of originality….He is
the complete man of the theater.
FRED TURNER. Writer, Scholar,
Professor. University of Texas at Dallas.
Naum’s
directing has always been distinguished by a very strong
imagination, a keen eye for the possibilities of a given
space, and by his thorough work with the actors...his
writings offer ample evidence of his talent.
CARL WEBER. Director, Writer,
Professor. Stanford University.
Naum
is a theatre artist of genuine stature and recorded
accomplishment. He has undefatigable energy, a winning
enthusiasm, and the drive to get things done on schedule.
He is a devoted teacher, a talented craftsman, and
a spiritual force.
ROBERT W. CORRIGAN. Writer,
Scholar, Director, Professor. Founder of The Drama
Review, Tisch School of the Arts, NYU.
Panovski is a scholar who is well attuned to theatrical
ventures from all over the world and has not only
published a fine book on the theatrical arts but has
a deep and abiding concern for issues that matter
in the world of the performing arts.
GAUTAM DASGUPTA. Professor,
Writer, Co-founder and Co-editor of The Performing
Arts Journal. Skidmore College.
Naum has boundless energy and enthusiasm for theatre
and its students. His depth of commitment to the art
and teaching of theatre is enormously important to
theatre artists and students…. By his own respect
for theatre he is a positive figure for students to
relate to and learn from.
MARTHA
COIGNEY. Former Director, ITI/US and Honorary President,
ITI/Worldwide
Naum’s directing is among the most imaginative
and sticking I have seen in my 34 years as university
professor and director. His productions from Albee
to Euripides, to Croatia’s Drzic, achieve levels
of artistry that have amazed actors and audiences
with their brilliance. This is a pinnacle of directors’
art.
ROLAND REED, Playwright and
Director, Catholic University of America
For many years Naum has influenced and inspired many
young theatre artists in this country.
ROBERTA LEVITOW. Free lance
theatre director and educator
Panovski is a compelling theatre artist and whenever
he is directing I send my graduate directors to see
the work. I can attest first hand to the vividness,
energy and clarity of his work. His own extensive
training, worldview and passion for the place of theatre
in our lives, he shares generously and most effectively
with those lucky enough to be in attendance. The resonances
from these events last and last finding their way
into countless directing conversations.
KENNETH CAMPBELL. Professor
and Director. Virginia Commonwealth University.
Naum Panovski is quite literally a man of the theatre.
I stand in awe of the singularity of his vision, of
his willingness to look into the darkest of darks
and the lightest of light and to encourage us, through
his work, to examine who we are as a people. He asks
us to quest, to probe, to question and in my mind,
that is the highest compliment one can pay a theatre
artist. His work is among the most stunningly visual
I have had the pleasure to see and participate in.
I am proud to call him my teacher, my mentor, my colleague
and my friend.
RICHARD St. PETER, Artistic
Director Actors Guild of Lexington
Naum is a man who has a unique vision of theater and
is not afraid to share that vision with his students.
No topic was considered taboo in his classes. From
naked shamans dancing around to homosexuality, if
it was relevant to our theater, we would talk about
it. His vision was broad enough to include almost
everyone.
JOSH DUDLEY. Former Student. Cristopher Newport
University
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